Kage

十日の菊、六日の菖蒲
 
Zeitaku @ 2007-05-30 16:10

白银时代-时代三部曲

http://www.fifid.com/review/1009876/

虽然语言风格相同,但白银时代要表达的思想要比黄金时代要模糊,刚开始看觉得有些借未来讽刺现今的味道,后来又觉得情节越来越入戏,反倒像是借现在讽未来,或者从白银时代的角度来说,借古讽今。也许小说本身并没有那么多的讥讽,我也该改改总把他的小说当社论看的毛病了。

白银时代收录了白银时代,未来世界,2015三篇作品,个人不太喜欢白银时代,觉得表达方式和内容都过于玄虚,不像王小波的更个。不过好在在未来世界和2015这两篇中他恢复了自己语言的特色。这三篇除了语言和内容上的区别,给我的感觉却都大同小异-无奈和无力。其中无奈指的是指三篇文章中主角(或者其舅舅)被压迫却无力反抗的情节,无力则更多是指我自己的感受,总觉得读这几篇文章好似出了一层粘汗无法入睡般的潮湿和虚弱,至于是这部小说给我的这种感觉还是本来我就是以那种状态读的这部小说才会有如此感受就不得而知了。

"什么是真正的生活, 我又不记得了。这个故事我写了十一遍,我能记住其中的每一句话。但它是真是假,我却记不得了!"

白银时代里面充斥着这样无奈语气的句子段落,每个人都机械的生活着,反抗者的下场则是被安置,进习艺班,接受改造。即使他们聪慧睿智幽默,这些优点也只能用来聊以自慰,因为未来的社会就是这样,不允许迥测的存在,一切都要明明白白。

通过白银时代也可以多多少少看出王小波的悲观主义,如果社会真的有一天会变成白银时代那般,他的书估计又要热销一阵子了,如果还能买得到的话。


 
Zeitaku @ 2007-04-21 12:43

任逍遥

http://www.fifid.com/review/1009274/

除了简单的剧情以外完全看不懂,方言还没有字幕。有Pulp Fiction一些情节的影子(对话中也有提到), 最后卖的CD也是Pulp Fiction, 不过因为剧情太朴实平淡实在没心情联想什么......虽然贾导向来剑走偏锋,这个也太艰涩了点,对我来说很无聊的一部片子。


 
Zeitaku @ 2007-04-15 10:27

被嫌弃的松子的一生

http://www.fifid.com/review/1009184/

看完了很喜欢, 不过总觉得最后以龙和笙的角度把松子升华成上帝似乎有些画蛇添足。与其说这部片子是着重刻画上帝般的松子, 不如说是用松子映射一个又一个卑微的人生吧。与其在最后"人生不在于索取而在于给予"得励志一下,似乎彻头彻尾的渲染"天鹅都要变成乌鸦"这个道理更加能深入人心呢。

音乐运用得十分有才,还是最喜欢松子的那首童谣。


 
Zeitaku @ 2007-03-29 15:09

King Lear

http://www.fifid.com/review/1008883/

Who is most responsible for Lear’s suffering?

Before Cordelia leaves Britain with grief, she says: “Time shall unfold whatplighted cunning hides”, but for Lear, time is not abundant. King Lear at his old age, who plans to set the rest of his life on his daughters’ “kind nursery”, finds himself being abandoned, rejected and humiliated by his two cruel daughters. It is a cruel world that Lear lives in, a world where people put morality aside and selfishly seek for power. However, despite Goneril and Regan’s evil, Lear’s misfortune is caused by his own weaknesses. His ignorance, impulsiveness, and peremptoriness turn the wheel of fortune against him, and give evil the opportunity to thrive.

In the play, evil has gained the upper hand. Cordelia and Kent, who are loyal to the king, are banished, while Goneril and Regan gain the power. Lear is tormented by his two ungrateful daughters, the two winners of Lear’s love test. Even after Lear divides his kingdom and gives up his power, Goneril and Regan are still dissatisfied with the power they have got. Both of them agree that Lear is old and his authority may become a threat in the future. They plan to “hit together”, “do something in the heat” and take away Lear’s remaining power. They show no respect toward their father. Goneril complaints that “by day and night, (Lear) wrongs (her)”.  She cannot endure having an “idle old man” in her house striking her gentleman. She orders her servants to treat Lear and his knights with “weary negligence”. Lear curses Goneril and puts his hope on Regan, but Regan is “as like (Goneril) as a crab’s like an apple”. She and her husband leave home to avoid Lear. When Kent fights with Goneril’s servant, Regan punishes Kent by putting him in stocks, ignoring the fact that he is Lear’s messenger. Lear kneels down in front of Regan and begs for her comfort, but the cold-hearted Regan suggests Lear to go back to Goneril and ask for her forgiveness. Lear’s one-hundred knights that symbolize the king’s dignity are being dismissed. Lear changes from the powerful king of Britain to a powerless old man, a “fortune’s fool”. He realizes how his daughters’ evil takes away his dignity and destroys his life. “How sharper than a serpent’s tooth it is to have a thankless child”.

Although, Goneril and Regan’s ingratitude towards their father is unforgivable, it is Lear’s own weaknesses that start this tragedy. Lear is extremely ignorant and naïve. He does not understand the meaning of true love. “Old fools are babes again, and must be used with checks as flatteries.” Lear enjoys being praised by people. It is Lear’s idea to show off his daughters’ love and give a prize for the people who can show their love to him in words. Lear is too blind to see Cordelia’s faithful but silent love, that she cannot “heave (her) heart into (her) mouth”. He is also unaware of Goneril and Regan’s selfishness, jealousy and their hunger for his power until he is lock outside the castle in the storm. When Goneril “hath tied sharp-toothed unkindness, like a vulture, here”, Lear leaves Goneril and naively goes to Regan. Lear tells Regan that “(Goneril)’s eyes are fierce, but thine do comfort and not burn”. “The hedge-sparrow fed the cuckoo so long that it had it head bit off by it young”. Regan betrays Lear and shows immediate loyalty towards Goneril. Lear’s ignorant and naivety give his daughters the chance to steal and abuse his power.

Being like a child, Lear is emotional and impulsive, even “the best and soundest of his time hath been but rash”. With his pride of being the king, Lear is impatient and can be easily irritated. His questions must be answered instantly and his orders must be carried out immediately or else “the world seems asleep”. Even his favourite daughter and courtier cannot survive between “the dragon and his wrath”. Lear banishes the people who are most loyal to him. The Fool criticizes Lear’s brainless action, referring Lear as a “bitter fool”. All of his three daughters are cursed by Lear despite their differences in character, but the one who suffers most at the end is Lear himself. Being humiliated by his daughters, Lear feels that his heart will “break into a hundred thousand flaws”. He struggles to control his temper, but his misery is driving him to insanity. Lear “hath put himself from rest and must need taste his folly”. His “hideous rashness” makes his life a tragedy.

It is unfortunate that Lear has such ungrateful daughters. However, similar to Shakespeare’s other tragic characters, Lear’s tragedy is caused by the fatal flaws in his character. His blindness and impulsiveness have made fortune a stranger to him. Outside him, there are Lear’s loyal followers helping him fight against the evil forces, but Lear must fight the weaknesses within him by himself. Until his reason overcomes his emotion, his life will remain miserable.


 
Zeitaku @ 2007-03-29 15:06

Pacchigi!

http://www.fifid.com/review/1008882/

故事是关于二战后旅日朝鲜学生和当地日本学生的尴尬关系,不知为什么跟朝鲜人的思乡情节产生了共鸣,莫名其妙的就被感动了。塩谷瞬这种日剧的龙套角色居然扮演主角,真是人不可貌相,泽尻虽然凭这部电影得了新人奖,但是还是感觉她的表演没什么味道。


 
Zeitaku @ 2007-03-29 14:56

顽固老爸

http://www.fifid.com/review/1008881/

冲着田村正和来看的这部片子,田村也不负众望地把他绅士气质带到了这部片子里(笑)。总体来说很温馨的一部家庭片子,家里面琐碎的事情让人看了十分亲切,顽固的老爸也让田村演得惟妙惟肖,用中国说法就是田村浑身都是戏,再加上黑木瞳的完美配合,一部上乘的作品就出来啦。


 
Zeitaku @ 2007-03-29 14:50

夏娃的诱惑

http://www.fifid.com/review/1008880/

其实看过的韩剧也不算少,从早期的金喜善的泡沫爱情到前几年的美妙人生,必胜奉顺英等等,整体感觉就是韩剧的大喜大悲表现得过于极端,刚开始看还比较有感触但是多了就有点滥情的受不了。

这部夏娃的诱惑真的非常喜欢,也因为这部片子喜欢上蔡琳。剧中金素妍展现出的阴险毒辣和蔡琳的单纯天真都是那么淋漓尽致,让韩宰硕,张东健两位男星相形失色。结尾韩宰硕的死有些画蛇添足,感觉上好像是程式化的制造悲剧一样,金素妍的失忆也没什么意义,不如堂她始终贯彻她的利益至上信念。除去这些这部片子各方面的表现都是一流,尤其是那首主题曲I Can't Say十分的动人。


 
Zeitaku @ 2007-03-29 14:39

古畑任三郎第一季(电视连续剧)

http://www.fifid.com/review/1008878/

绅士刑警首先说的是绅士,然后是刑警。这部连续剧不能当作一部侦探片来看,因为凶手在每集开始就告诉你了,而且也不乏拙劣的作案手法。看点是田村正和的一举一动流露的那种绅士味道,西村雅彦的傻里傻气, 以及每集登场犯人的华丽阵容: 铃木保奈美, 唐沢寿明, 明石家さんま, 玉置浩二, 江口洋介, 福山雅治, 市川染五郎, 藤原龙也,松岛菜菜子,松本幸四郎, 山口智子, 木村拓哉,中居正广和SMAP全员以及很多其他演艺界的名人,奢侈得让人眼花缭乱。

当然除了演员优秀,剧情本身的安排也十分出色,看田村如何接近凶手,一步步击破对方的心理防线,如何对女性绅彬彬有礼,对恶徒又何等的残酷无情,绝对让人如痴如醉的陷入他那绅士的世界里。


 
Zeitaku @ 2007-03-29 14:07

姚明年

http://www.fifid.com/review/1008877/

其实本来对这部商业片也不抱什么希望,在美国这部片子的票房也是惨的一塌糊涂。纯粹是因为对姚明的个人喜爱才看的。一直很欣赏姚明,无论从人品,性格和能力上来说,姚明都可以算得上名人的典范。

也许一般人无法了解克服英语障碍的辛苦,但是我知道哪种开玩笑没人笑,说话没人懂的感受。这几年姚明不但球技稳步上升,他融入美国社会的速度也是快的惊人,现在姚明的英文的听力和口语已经完全没有问题了,有能力的人无论在哪方面都会显得得心应手。

姚明从来不会耍大牌,永远都那么的努力上进而且谦虚,对待朋友够意思,尽管不在一个球队至今和Francis还是好朋友,感情上专一,女朋友认准了叶莉就没看过别人,真不知道他做为世界上最知名的人之一,中国收入最高的运动员如何做到这一切。

最后说回这部电影,虽然只是普通的纪录片,但是对姚明生活中的点点滴滴和他NBA成长的轨迹感兴趣的人就一定不要错过。


 
Zeitaku @ 2007-03-29 13:26

The Simpsons

http://www.fifid.com/review/1008873/

美国近期因为日漫热刻意模仿日式的动画片可以用两个字代替: 垃圾,简直比中国的动画片还不如,让人作呕。其实美国完全不需要模仿其他国家的动画,在我看来,最极致的美式幽默都在这部辛普森一家里了,是动画中极品,南方公园也只能排在The Simpsons后面。

美国也有很多类似The Simpsons的动画,比如American Dad, Family Guy, King of the Hill。 这类的动画每个Episode都属于没有连续性的独立故事,都有着极其幽默的对白和对时事的讽刺。在这类动画领域里,美国的确出品了不少优秀作品,这些动画也是组成美国动画业的中坚力量。

另外需要提的一点就是,The Simpsons一类的动画语言上的运用都很讲究,需要观看英文原版才能感觉到原有的内容。语言的基础是文化,语言固然可以单纯的翻译,但是文化不能,我们无法理解日本的漫才,欧美的歌剧,外国人无法理解中国的相声小品都是这个原因。所以如果看中文配音或者中文字幕版本的The Simpsons是无法领会到其中的乐趣的。


 
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